Music Videos (2009 - Current)
(Un)conventional music videos
My Faucet Leaks And So Do I
Video (Single-Channel), 2min 01sec, 2016
Slave 4 U (post-prince)
Video (Single-Channel), 5min 26sec, 2016
She
Video (Single-Channel), 1min 1sec, 2015
Cough Drops
Music by Alien Tape's Alaris O'Heart
Video (Single-Channel), 2min, 2015
Video (Single-Channel), 2min, 2015
THE TRAP
Video(Single-Channel), 2min 18sec, 2014
Soundtrack by minu
*Note: This video may be highly glitchy due to YouTube compression failure.
Soundtrack by minu
*Note: This video may be highly glitchy due to YouTube compression failure.
Molten Tea
Video loop (Single-Channel), 3min 30sec, 2014
Soundtrack by Chris Corrente
Soundtrack by Chris Corrente
Muzzled Man
Video loop (Single-Channel), 1min 56sec, 2014
Soundtrack by Chris Corrente
Soundtrack by Chris Corrente
YOU CAN'T TAKE ME AWAY FROM ME
Video (single-channel), 7min 48sec, 2011
Art World
Video (single-channel), 2min 32sec, 2011
In Collaboration with Chris Corrente
In the vein DIY retro-MTV-kitsch music videos, the piece collapses what is perceived as hi-brow and lo-brow culture. With the synergy of lo-fi pop and colorful visuals, the work borrows tropes from 80s campy video production aesthetics and pays an irreverent homage the Art world.
In Collaboration with Chris Corrente
In the vein DIY retro-MTV-kitsch music videos, the piece collapses what is perceived as hi-brow and lo-brow culture. With the synergy of lo-fi pop and colorful visuals, the work borrows tropes from 80s campy video production aesthetics and pays an irreverent homage the Art world.
Oh! (Girls' Generation)
Video (single-channel), 3min 18sec, 2010
Thanks to SNSD (Girls' Generation)
Thanks to SNSD (Girls' Generation)
Harajuku Girls
Video (single-channel), 5min03sec, 2009
Thanks to Gwen
Using my image as an East Asian woman, the work attempts to subvert expectations and amplify the lyrics through a lip synced performance as a means to challenge stereotypical roles and reimagine popular culture that reinforces them. The soundtrack is from Gwen's first solo album titled Harajuku Girls that stereotype asian women into hot pop cultural commodities and icons.
Thanks to Gwen
Using my image as an East Asian woman, the work attempts to subvert expectations and amplify the lyrics through a lip synced performance as a means to challenge stereotypical roles and reimagine popular culture that reinforces them. The soundtrack is from Gwen's first solo album titled Harajuku Girls that stereotype asian women into hot pop cultural commodities and icons.
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